
As the kinds of digital interactive user experiences we’re designing at T+L begin to move beyond the computer screen, fundamental things like display resolution become a little more complicated and a lot more interesting.
Effective resolution is a perceptual term—I’ll define it here* as the perceived pixel density of a display image at a given viewing distance. Math-wise, the basic equation can be pretty simple: Effective Resolution (ER) = DPI x Distance**. From this, we can see that for a given absolute resolution, the effective resolution increases along with viewing distance.
Pretty straightforward stuff so far. Here’s where it starts to get interesting…
You can compare the effective resolution for different devices using the formula above. For example Using this DPI calculator, here’s what you get for an iPhone, Macbook, and generic mid-sized HDTV:
Notice that even though the iPhone has the highest absolute resolution of the 3, it has the lowest effective resolution***.
In terms of user experience, ER is a better way to compare display technology because it takes the context of use into account. For example, let’s say that the optimal effective resolution was the threshold at which individual pixels were just no longer noticeable, and let’s say this happened hypothetically at ER=300 (red line below). Based on the comparison example above, we could see that while the MacBook over-performs against this measure, the viewing experience for both the iPhone and HDTV could still benefit from higher (absolute) resolution displays.

You can calculate an optimal viewing distance based on effective resolution. Just set ER to a desired value—say, to 300 as in the example above—and solve for distance (D = ER/DPI).
Depending on usage and input modality for a given device, the viewing distance will be a constraining factor on effective resolution. For example, an iPhone’s effective resolution is constrained by the fact that you hold it in your hand. Similarly, laptop or surface-based computing devices need to remain within reach. TVs are a little more flexible, although there are recommended viewing distances for those too.
So how could or should interaction designers be taking effective resolution into account? Here are two suggestions for starters:
1. Improving readability. This article is actually what started us thinking about effective resolution. Most digital design use pixel height for specifying font size. (Point size is more appropriate for print media.) We could use effective resolution to set baseline pixel heights that are relative to both display technology and context of use in order to ensure readability.
2. Design tools. I think it’d be great to be able to simulate different effective resolution modes in design environments like Photoshop. This could be achieved through a combination of pixel interpolation and zooming transformations. For example, say you were designing icons for an IPTV interface and wanted to know if they will be easily recognizable from the couch. Toggling into an HDTV preview mode would automatically zoom out and slightly degrade the resolution to give you a rough idea of what they’ll look like.
* I’m not really defining anything new, just proposing a label for something that’s pretty straightforward. Some quick research revealed that the term effective resolution has traditionally referred to the intrinsic density of a raster image subsequent to scaling across a designated space. That’s a different domain so I don’t mind applying a different meaning to the term, but maybe there’s a better term for what I mean out there… ** Actually, technically, you should add a logarithmic component to the formula, since there’s a law of diminishing returns on resolution at great distances. I’m being agnostic for now on the units we’re dealing with, which will obviously impact the actual numbers this formula generates (it may also make sense to toss a constant multiplier in there to make those numbers a little more intuitive). *** Multiplying the physical DPI by 1.5, 3 and 5′, respectively.
Nice post Gillis. In a way this reminds me also (as seen last nite on The New Music) how video directors and music artists are starting to do video concept and design based on that fact that their audiences are mostly going to see the video on a resolution for Youtube, cellphone or videoegg-type of media buy nowadays – instead of TV. Losing detail and subtlties, but opening the door for experimentation (such as Radiohead’s House of Cards – you can watch the making of here: http://www.youtube.com/watch?v=cyQoTGdQywY)
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What you’re thinking about is called spatial frequency (cycles/degree) ;)
That measure properly can properly realte DPI and (a supposed) viewing distance.