It all started with the insight and a deep understanding of the market and the consumer.

The objective, as Leigh rightly points out, was to re-position and re-invigorate the brand.  To do this the team needed to understand the competitive landscape, the perspective consumers had of the brand, and the territory they had to play in. The market was saturated with female unfriendly AXE advertising, and as women are the primary consumers for male scent gifts, turning that into an advantage would have been mandatory for Old Spice.

With that as the starting point the Old Spice team (with a receptive client) decided to do the obvious: appeal to women without alienating men.

Old Spice cast the perfect actor for the new positioning. A former NFL player, a nice guy, and someone who wasn’t so perfect that men would feel threatened. Genius casting. Based on, I imagine, a perfect casting brief.

The next step was to create a seriously funny commercial that turned all the cliche’s of advertising and film on their heads. “Look at your man, now back at me”. “It’s now diamonds”. “I’m on a horse”. They made a commercial that was frankly better than 90% of the TV shows it appeared alongside. I first heard of it because my partner was watching TV and told me I had to see it. So what did I do? I went to YouTube and there it was. Word of mouth at it’s finest, but it would have been dead in the water if the team hadn’t thought to seed it online first.

They let that roll and roll it did. Everyone who saw the commercial started sharing it, and a character was born.

Now what to do with the follow up? The character was a success both online and offline and while they could continue to let it ride as a TV spot, the proof was there that they could take advantage of how much the spot resonated with the folks online.

The plan was to create a new TV spot, let that simmer for a bit and then pounce. The social media marketers did their homework and decided what the right outlets were to start spreading the character. The fact they took on 4Chan and won speaks volumes about how integrated and on the ball they were. While everyone talks about how they took over Twitter in a day, they really started seeding the campaign before that. They laid the groundwork. And it paid off. Big time.

It came on my radar with @jakrose tweeting that he’d received a video reply early Tuesday morning. “Fry it up and eat it down JakRose. Fry it up and eat it down.” The network effect took over and for the next two days it was all I cared about that was happening online. The social team did a brilliant job monitoring responses and working with the creatives to write compelling copy. They didn’t just target celebrities and “influencers” but responded to comments, Diggs, tweets and blog posts that they felt fit with the character as a whole. They were obviously fully immersed in the language and cadence of the social web because their video responses contained references only a geek would love (or get). They respected all the unwritten rules of the culture and tailored their responses to match the brand, and the mediums they were using.

They embraced the mash-ups and promoted them. They let the community roll with it. They poked fun at themselves (Old Spice responding to @isiahmustafa) And they set a time limit. Any longer than 2 days and it would have become tired. Any shorter and it would have been disappointing. The mash-ups continue to roll in, with the most recent being Mel Gibson calling the Old Spice Guy.

It was brilliance that came from the initial insights and work they did a couple of years ago. And deep understanding of how the social web works.

The challenge will be what they do next and if it moves the needle at the top of the purchase funnel (awareness & consideration). But I have faith, and am looking forward to every moment of it!

[Update August 13, 2010] W+K just released their case-study of the campaign: Old Spice is now the #1 brand of body wash for men, with sales increasing 107% in the last month alone.

I was recently going through my bookshelves at home, trying to find some books I could sell or donate. After scanning past titles like The Ghastly One: The Sex-Gore Netherworld of Filmmaker Andy Milligan and Bitter is the New Black, I came across all my old textbooks. It got me thinking about my days in college and all the people I used to look up to when I was a student, people like Molly Holzschlag, Dan Cederholm, Elliot Jay Stocks, Derek Featherstone and Jason Santa Maria.  I looked up to these people as mentors and inspiration, hoping that one day I would be just as bad-ass as they were.  I remember asking myself on every project “How would Dan build this?” or “Would Molly be satisfied with how my site validated?”. At some point, I became out of touch with these people. I didn’t have enough time to keep up with their blogs. I didn’t read their new books. I lost interest. And during that time, I had somehow become ok with it.

Fast forward 3 years, 2 jobs and 2,492 hours developing sites for IE6, I’m here at Teehan+Lax, literally just getting off the plane, returning from Carsonified’s FOWD in NYC where I was given an amazing opportunity to hear those very people speak. The first workshop I attended was Molly Holzschlag’s Open Web Standards for the Rich Web. Molly spoke about standards, about her career and about the future of web apps. Hearing her speak about these things made me think about my own career and my approach to web standards and exactly how important they really are. The next workshop was presented by Steve Smith from Ordered List and dabbled heavily in HTML5 and CSS3 with amazing demos of both. Seeing where HTML and CSS are headed was incredible. I had known about a lot of the new tags and CSS rules for some time, but seeing them implemented really made these things a reality.

About an hour into Molly’s workshop, I suddenly felt something. I had this fire within me that I needed to get out. After a few more hours, I could barely sit still. I knew that by the end of the conference I would desperately need to get back to my job and apply everything that I had learned. It was then that I realized how important it is to be inspired.

I started taking a look at how other people found inspiration. One of the best examples I found was Austrian designer, Stefan Sagmeister. He will take a one year sabbatical every 7 years or so where he doesn’t take on any work from clients and uses this time to really rediscover himself as a designer. He has a great section on his website dedicated to inspiration that can be found here.

Now, you may be like myself and not so um, financially stable, and aren’t really able to take a year off work, so lets look at some other ways to find inspiration! This can vary from person to person, but for me, I’m inspired by many things: vintage horror posters, photography, and people. Whether it be art, nature, or even an inanimate object, like a stuffed alligator head (which is available for purchase at The Evolution Store NYC), it’s so very important that you find that thing that inspires you. And that inspiration will push you further than you ever thought possible.

So here I am. Going back through my bookshelf, skimming past titles such as Eaten Alive!: Italian Cannibal and Zombie Movies and The Barefoot Contessa: Barefoot in Paris, and I find myself thinking more about what I have around me and where my next inspiration will come from, and if you’re so inclined, follow me on Twitter and find out firsthand.

Often times my friends and family ask how we get any work done, here at Teehan+Lax. Based on the stories they hear from me – it’s all fun and games! And guess what? It is. But as it turns out, that’s not a bad thing.

In the new Ted.com presentation (:30 minutes in length), Tim Brown demonstrates how, as adults we learn to fear the judgment of our peers. He explains how professionals need to relearn how to be playful in the work place. Go back to the things we learned as a child: Exploration, Building and Role Play.

Quickly conducting several games from the stage to the audience, Tim demonstrates how as adults we:
* self-edit as we are coming up with ideas – our desire to be original is a form of editing
* forget to be open to the questions: what is it? AND what can I do with it?
* need to use the materials around us to get our point across (lots of great prototyping examples in the last half of the presentation)
* should “try-on” experiences, as a form of role play

I can’t say that in this day and age we’d ever go as far as the Peyote tests conducted in 1960s (another example cited by Tim) to get over our adult habits. But luckily, at T+L we don’t need to.

Here’s an interesting demo of augmented reality from the folks at Digital Pictures Interactive. Using nothing but a webcam and Flash player, they’ve managed to blend virtual content in real time with a webcam feed. The possibilities here are endless and it’s great to see work being done with such ubiquitous technology. The accessibility of this project reminds me of Jonny Lee’s Wii based demos, in which he used a $40 Wii controller to hack together a sophisticated touch screen and a head mounted 3D viewer (still waiting for a killer game from Nintendo based off this tech). It’s exciting to see technology once limited to science fiction making its way to consumer level devices. Augmented reality seems like it’s still in its infancy, but all it needs is that one killer app to break into the mainstream. Whether that comes in the form of a game, or an Android app, I have a feeling it’s not too far off.

15 years ago, Dave Gray founded XPLANE, a visual communications company that has been pumping out beautiful graphical explanations for all sorts of clients, products and services ever since.

His presentation at CanUX kept up the theme of drawing and sketching, but flipped the emphasis: while the other presentations were about communicating design ideas visually, this one was about designing visual ideas for communication. In other words, it was about designing for visual literacy.

Dave’s passion is for explaining complicated stuff in ways that leverage perception, invite collaboration, and spark the imagination. He suggested that although people can generally “read” visual artifacts, most cannot “write.” After a brief primer on the visual alphabet (check out symbols.com for more info), he took the group through a few exercises developed at XPLANE for stoking creative process. The basic premise was that everyone can learn how to draw.

What’s next for Dave Gray? We chatted a bit about his desire to advocate for visual literacy in academic and professional communities. Pretty cool stuff. Check out these links here and here for a sense of where he’s going with this stuff.
 
The idea of visual literacy is one that I’ve been really keen to explore over the last couple years—first from an applied linguistics perspective at school, then from a practitioners perspective as an illustrator and now an interaction designer. It’s a really interesting topic, and I’d highly recommend the book Reading Images as a great starting point for anyone interested.

You can also check out a paper and presentation I gave on the topic of vis lit and web-based graphic design back in grad school…sort of geeky though, so be forewarned!

I’m going to forego summarizing this one, since for me the topic of sketching was developed more fully in the next couple of sessions. (I’m probably biased though, because those sessions applied more directly to our specific practice at T+L.)

Not that I didn’t enjoy the presentation. Jerome was probably the most entertaining speaker at the conference, all things being equal, and a few CanUX buddies and I enjoyed a great follow-up chat with him over dinner.

One thing that Jerome mentioned at the outset got me thinking introspectively. He talked about how people who express different “cognitive preferences” are important to creative process: generators, conceptualizers, optimizers and implementors.

This sort of hit home because, well, I think I’m sort of important to creative processes every once in a while…so which one am I? What’s probably most important, and definitely most humbling here is that the answer probably isn’t: d) all of the above. Probably can’t be.

There’s this sort of epic (for interaction designers, at least) 60 Minutes episode where they profiled IDEO back in 1999. Towards the end, one of the folks being interviewed throws out this aphorism that’s stuck with me: something like “enlightened trial and error triumphs over the wisdom of the lone genius.” It’s a blatantly obvious insight, but easy to forget when the pencil hits the page.

Jerome and others at CanUX08 reminded me that the best design emerges out of humble collaboration.

By the way, noticed that Mack Male put up CanUX resources for those who’re interested here.

Industrial product design can be a frustrating thing. Tens of years and millions of dollars can go to waste in a failed concept or prototype. The risk however is shadowed by the reward when you start thinking about the possible outcomes – saving lives, energy or time for starters.

A side benefit of product design is that its successes (and failures) can be used to heavily influence what we do as designers in the digital realm. (And, of course, our R&D costs are usually much, much lower.)

Here’s three innovative product designs that have caught our eye over the last couple of weeks.

Athletic Innovation

No surprise that with the Olympics going on Nike, a company we championed in our UX Fund, has been unveiling a slew of products that are aimed at improving comfort, speed, durability and material reduction. The Nike Lunar Racer, weighing a little more than a new iPhone, is a perfect example of product innovation. It’s a light, comfortable, stylish shoe made for marathon runners. It doesn’t seem like much but perhaps that’s because we’ve become so accustomed to Nike making strides in shoe design like this so frequently. (Note: Resident designer/sneaker freak/shutterbug Greg Washington will be in New York for the 21 Mercer St. Nike Sportswear Store launch, so hopefully we’ll find out more about the Lunar Racers in a later post.)

Electronic Innovation

OLED-based screens are paving the way for a world where the surface is the light (think a screen without a projector). Currently even our most powerful LCD screens are backlit. A luminous surface promises to be brighter and use less energy than any lighting technology we currently use in displays.

Transportation Innovation

Bombardier is in the process of constructing newly designed subway cars for the TTC that have improvements in everything from ergonomics to way-finding to accessibility (not all unrelated of course). They won’t save lives but they’ll certainly improve the quality of life for all commuters.

I know these examples are just a drop in the bucket. If you’ve been inspired by industrial product design lately, post a comment below.

Update: I can’t believe I didn’t link up to the Objectified site. Objectified – the new film from Helvetica’s Gary Huswit – focuses on industrial design and inspiration from a product designers perspective. The site includes a great ‘Objectify Me’ category that features designers discussing a favorite object of theirs, like http://www.teehanlax.com/blog/?p=436

Neither inspiration or copying… maybe both, but I look at these as more like coincidences. Link

So what’s really good about this site? Well… again, we have a language barrier but once you manage to get into the site, the design is dope, the navigation is pretty cool… and so is the music (typing as I dance).

A collection of some of the most interesting, eyebrow raising, life questioning images found anywhere… a must see!