A lot of ink has already been written about why Old Spice owned the Internet last week, and I don’t want to rehash the various aspects that RWW has covered, and Dave Stubbs has mentioned, among others, but what I feel is missing from the conversation is how it all started. My friend Leigh Himel deconstructed what the brief could have looked like, and I think it’s worth expanding on to describe how the campaign set the foundation for success.

It all started with the insight and a deep understanding of the market and the consumer.

The objective, as Leigh rightly points out, was to re-position and re-invigorate the brand.  To do this the team needed to understand the competitive landscape, the perspective consumers had of the brand, and the territory they had to play in. The market was saturated with female unfriendly AXE advertising, and as women are the primary consumers for male scent gifts, turning that into an advantage would have been mandatory for Old Spice.

With that as the starting point the Old Spice team (with a receptive client) decided to do the obvious: appeal to women without alienating men.

Old Spice cast the perfect actor for the new positioning. A former NFL player, a nice guy, and someone who wasn’t so perfect that men would feel threatened. Genius casting. Based on, I imagine, a perfect casting brief.

The next step was to create a seriously funny commercial that turned all the cliche’s of advertising and film on their heads. “Look at your man, now back at me”. “It’s now diamonds”. “I’m on a horse”. They made a commercial that was frankly better than 90% of the TV shows it appeared alongside. I first heard of it because my partner was watching TV and told me I had to see it. So what did I do? I went to YouTube and there it was. Word of mouth at it’s finest, but it would have been dead in the water if the team hadn’t thought to seed it online first.

They let that roll and roll it did. Everyone who saw the commercial started sharing it, and a character was born.

Now what to do with the follow up? The character was a success both online and offline and while they could continue to let it ride as a TV spot, the proof was there that they could take advantage of how much the spot resonated with the folks online.

The plan was to create a new TV spot, let that simmer for a bit and then pounce. The social media marketers did their homework and decided what the right outlets were to start spreading the character. The fact they took on 4Chan and won speaks volumes about how integrated and on the ball they were. While everyone talks about how they took over Twitter in a day, they really started seeding the campaign before that. They laid the groundwork. And it paid off. Big time.

It came on my radar with @jakrose tweeting that he’d received a video reply early Tuesday morning. “Fry it up and eat it down JakRose. Fry it up and eat it down.” The network effect took over and for the next two days it was all I cared about that was happening online. The social team did a brilliant job monitoring responses and working with the creatives to write compelling copy. They didn’t just target celebrities and “influencers” but responded to comments, Diggs, tweets and blog posts that they felt fit with the character as a whole. They were obviously fully immersed in the language and cadence of the social web because their video responses contained references only a geek would love (or get). They respected all the unwritten rules of the culture and tailored their responses to match the brand, and the mediums they were using.

They embraced the mash-ups and promoted them. They let the community roll with it. They poked fun at themselves (Old Spice responding to @isiahmustafa) And they set a time limit. Any longer than 2 days and it would have become tired. Any shorter and it would have been disappointing. The mash-ups continue to roll in, with the most recent being Mel Gibson calling the Old Spice Guy.

It was brilliance that came from the initial insights and work they did a couple of years ago. And deep understanding of how the social web works.

The challenge will be what they do next and if it moves the needle at the top of the purchase funnel (awareness & consideration). But I have faith, and am looking forward to every moment of it!

Over the last few weeks I’ve received a lot of feedback on our move to an Adaptive Marketing approach. One of the recurring questions has been around how it works. As one of our LinkedIn forum members said, “If no one is currently doing this, how can an agency possibly integrate the process and make it work?” Great question and one that’s been on our minds a lot lately, too.

As luck would have it, a campaign recently exploded online that I believe illustrates the adaptive approach to marketing. I’m talking about the Old Spice Guy work done by Wieden+Kennedy. It began as a great Super Bowl TV spot but what happened afterward – and they way they worked with their client – is what I find most compelling.

Iain Tait, in a readwriteweb.com post explains it best, “In a way there’s nothing magical that we’ve done here… we just brought a character to life using the social channels we all [social media geeks] use every day. But we’ve also taken a loved character and created new episodic content in real time.” As for the mechanics, he explains, “we’re looking at who’s written those comments, what their influence is and what comments have the most potential for helping us create new content. The social media guys and script writers are collaborating to make that call in real time. We have people shooting and we’re editing it as it happens. Then the social media guys are looking at how to get that back out around the web…in real time.”

My first thought was that to pull off such a responsive program they must have had a tremendously trusting client and collaborative working relationship. Tait said that Proctor & Gamble let his team create on the fly with little supervision, “There is such great trust … They have given us a set of guidelines and if we get close to the edges we contact them.”

In my opinion, Tait’s team has arguably created the most significant program since Subservient Chicken. They put all the right pieces together. But more so, they’ve illustrated exactly how an agency can practically develop and deploy a campaign that actively involves consumers in real time and delivers meaningful experience. Not only that, they completely repositioned the brand and now have an asset they can use in myriad ways.

I’ll probably take some heat for this, but personally, I always felt that Subservient Chicken was one-dimensional. Don’t get me wrong, I loved it and felt it arrived at exactly the right time in our industry. It showed how technology could be used to involve consumers without being ham-handed. But it was really just a playful destination. Somewhere to waste a few minutes online.

The Old Spice Guy concept goes way farther and operates on a much deeper level. It watches consumer activity, pulls it in without asking and feeds it back out as unexpectedly fresh content. On top of that it demonstrates a fundamental change in agency structure and approach. In fact, it’s so extensible that consumers themselves can run with the idea, create their own content and still be in line with the original idea… at no incremental cost to the client! See for yourself, have the Old Spice Guy create your voicemail message.

So What’s It Take To Do Work Like This?

• A leggy idea
• A diverse team with a blend of traditional and social expertise
• A client who trusts the creative team to take chances
• And most importantly, the ability to identify emerging opportunities and develop iterative solutions on the fly

There’s no debate that social media has completely transformed how marketers engage with their customers. And the impact of this change has rippled through agencies as they struggle to catch up to the changing needs of their clients – and consumers. But what hasn’t happened up till this point is agencies figuring out how to bring all the pieces together in one agile approach.

For a time I thought that BURT were onto something with their Agile Advertising approach, but the more I noodle it, the more I feel like what they proposed with their four feedback loops is really more of an optimization phase in a linear model (and something we’ve done at Teehan+Lax for some time). It’s great for tuning individual pieces of creative and improving their effectiveness but it isn’t necessarily about creating a platform for iterative ideas to be rapidly developed, tested and deployed. And an iterative development approach is really what we need.

“Everyone applauds innovation. At least, they love it in retrospect, after it has worked.”*

I believe we need to build teams and create operating environments that allow for responsive marketing that’s always on. Programs that respond to changing market conditions. Programs that naturally integrate the ability to test ideas and embrace failure. Programs that will use data to help inform what is made, how it’s designed, and who will be involved.

Tim Leberecht in his article, “Time for Marketing Innovation 2.0” delivers a stern challenge to all of us searching for new solutions. “As we are entering the new decade, it appears as if the marketing discipline, after undergoing a mesmerizing major transformation in the past two to three years, is facing stagnation. This often occurs when pioneering concepts are fully absorbed by the mainstream: Social marketing is on the way to becoming THE marketing, as social media is becoming THE media (it is always a sign of broad adoption if adjectives are dropped). Authenticity, engagement, meaning, communities, social, conversations, transparency, etc. – they’re all accepted across the industry and widely implemented now. What then is the next frontier for marketers? What will be the next big marketing innovation?”

To me the next big innovation won’t be the products we envision as much as it will be agencies we create that are structured to deliver Adaptive Marketing. And as the team at Wieden & Kennedy have shown us, it’s entirely possible and should now be expected. Silver fish hand catch!

Reading List:

• The making of Old Spice’s commercial: The Man Your Man Could Smell Like, Leo Laporte interviews the W+K creative team on TwitTV
• Silver Fish Hand Catch: A New Benchmark For Social Media Campaigns, PSFK
• How Old Spice Ruled the Real-Time Web, AdWeek
• How The Old Spice Videos Are Being Made, ReadWriteWeb.com
• How Social Media Has Radically Altered Advertising, Mashable
• Agile Advertising At Cannes Lions, Rich And The Four Feedback Loops, Burt
• Time For Marketing Innovation 2.0, FrogDesign
• Innovation: Who Else Is Doing It?, Rosabeth Moss Kanter, Harvard Business School
• @OldSpice
• Old Spice YouTube Channel

Since I posted our announcement about the Programs Group moving to an Adaptive Marketing approach there’s been a lot of curiosity and spirited discussion. My main takeaway is that people agree with the need for change and want to talk more about this model.

After listening to what people had to say I thought it made sense to clarify a few things, namely:

• Language and terminology
• Agency structure and vision
• Creative output

The term “adaptive marketing” isn’t ours, it comes from the people at Forrester. If you aren’t familiar with their report (registration required), Adapting Agency Relationships In A New Marketing Era, I highly recommend you give it a read. It does an excellent job of setting the table.

Several people have pointed out that adapting to changes in the marketplace, integrating cultural nuances and responding to emerging opportunities are all hallmarks of successful advertising. And I agree. Being able to identify what’s hot and leveraging the next big thing is essential in keeping a brand top-of-mind. Being responsive and adapting to changing market conditions is what all marketers need to do. But it’s not what we mean when we talk about adaptive marketing as a practice.

Traditional Marketing Is Linear

Let’s look at traditional marketing for a moment. It’s fundamentally linear. It starts with the brief. The creative team then develops material that gets trafficked. Performance is measured to determine whether or not it worked. The individual project or campaign ends and measurement data is used to help inform the next campaign. Then the whole process repeats.

Agencies have done an amazing job of developing the linear model. When it comes to pushing one-way messages it’s impossible to argue with their success. In an era that was focused around informing consumers about the benefits of a product or service it was masterful. It resulted in legendary advertising that spread messages and built brand identities. But as consumers evolved they became more and more immune to advertising. And today, with a world of information at their fingertips, consumers share knowledge and find out about products in ever changing ways. Advertising still works, but not like it once did.

So, how can agencies also change and create marketing products that are once again relevant to consumers lives? How can they change and still serve the needs of marketers? How can they help consumers solve problems rather than push marketing messages? I believe the answer is tied to the way we work. And, the ways we are compensated for that work.

Adaptive Marketing Is Iterative

Adaptive marketing is considerably different from the linear model. It’s organized to be a dynamic, “always-on” process in which creative is continuously measured against a pre-defined objective. Creative is modified, refined or abandoned as required. And since the creative team is aware of the end goal in advance, they have the responsibility and authority to do whatever is required to achieve the goal. The creative product becomes a means to an end, rather than the end itself. And compensation is tied to key performance indicators rather than the hours it takes to accomplish the goal.

It works like this:

• The agency and client define the objectives of the engagement and establish several key performance indicators
• The creative team is dedicated to the project for a set period of time allowing them to focus on the task
• Ideas are rapidly developed, tested and deployed
• Ideas evolve and adapt over time
• Performance is closely monitored allowing the team to make adjustments
• Project success is determined by achieving the KPIs

Agency Structure

On our LinkedIn forum it was pointed out that Adaptive Marketing isn’t a new thing. And that’s entirely true. The strategic underpinnings go a long way back. But it’s the application of this approach in a modern agency that has us excited. In my opinion, large agencies will always have a difficult time embracing this way of doing business. The future is in the smaller, more nimble groups.

Most Agencies don’t have processes, experienced resources, or frameworks that can even begin to attack this problem

When it comes to actually integrating the Adaptive Marketing practice, “it’s not the way 90% of companies are structured. Most Agencies don’t have processes, experienced resources, or frameworks that can even begin to attack this problem even if a client came to them and asked for help.”

For an Adaptive Marketing practice to work an agency needs a special structure. We believe that for a group to be successful it needs a degree of autonomy and the freedom to be self-directed. It’s likely best done with a group that works well as a team and can share responsibility (regardless of seniority). At Teehan+Lax, we use an Agile framework (Scrum In 5-Mins pdf) and find that it works remarkably well.

I think it makes sense that teams are organized around the basic three pillar structure of design, copy and developer, plus a project manager. However, the team has to be able to evolve as the project evolves. As each project is unique, the creative that is developed will determine what is required in terms of talent and expertise. A company that can accommodate flexibility will be far better equipped to embrace an Adaptive Marketing approach.

Creative Output

A highly structured, yet free-form approach to creative development. The responsibility for steering the work sits on the shoulders of the entire team and they are directly responsible for meeting the KPIs. And when compensation is tied to these goals the group is incentivized to find innovative approaches and not simply rely on traditional solutions. When the team puts skin in the game, their success is tied to the clients’ success, and not just industry awards.

In terms of what creative can or should be developed… that’s something that’s almost impossible to answer. But there I find a frustrating over-reliance on the typical microsite/banners/youtube/facebook solution. That said, when the problem is framed as, “what do we have to create in order to help the consumer” then the right solution will appear. Too often, the traditional approach is to simply put messages “out there” in places where the audience will be, with the hope that they will a) see them b) care about them c) click or visit them. As I’ve said before, I believe this approach is out of step with the desires of today’s consumer.

I like to think of the creative output that comes from the Adaptive Marketing model as a meme. Continuously evolving and unfolding artifacts that build on each other make for a great platform for creative development. And the speed of online is a natural fit. Much has been written about memetics so I won’t go into it here, but the spontaneous and responsive nature of cultural memes in the online space serve as an excellent springboard for where creative approaches must go.

Data Monitoring

One of the first responses I hear from creative people when I mention that we embrace Adaptive Marketing is, “analytics will kill the creativity. Personally, I feel the exact opposite. I don’t think we need complex measurement and analyitics software to get in the game, but instead simple measurements that can be used to determine success. I want to go more into the use of analytics because it’s a thorny issue, but to me simplicity is the right way to go,

• It’s absolutely critical to know your objective (KPIs)
• Measure three things (tweets? site visits? sales numbers?)
• Use existing tools to start
• The problem will help define the measurement

We believe Adaptive Marketing is going to become an extremely important part of our industry and are excited to figure out how it will evolve. To that end, we’ve opened up a LinkedIn group to discuss the various issues around Adaptive Marketing. We welcome your participation and encourage input and feedback for what has already become a lively debate. In addition, you can use @adaptivemktg and #adaptivemarketing to participate in the discussion that way.

Many of us entered the interactive industry because it was fast-paced, exciting and highly innovative. We saw an opportunity to help change the way business was done, and in so doing help consumers in fresh and engaging ways. Recently, we’ve noticed an unsettling trend. Agencies are becoming more and more similar. They’ve adapted the same processes. They create the same products. And for the most part, they deliver similar results.

For an industry that prides itself on a spirit of innovation, what we see happening doesn’t feel right. We believe it’s time to press forward. We believe that time to change is now. To that end, we are actively in the process of transitioning our Marketing Programs Group to an Adaptive Marketing model.

“Business has only two basic functions – marketing and innovation.” Peter Drucker

Adaptive Marketing is the next step in our evolution and will provide a truly progressive approach for our clients – one that we believe will become the approach that many marketers will use in the future. To the best of our knowledge we will be the first agency in Canada to provide this service.

Why are we doing this? Quite simply, we believe the days of doing traditional online marketing campaigns are fading. Linear programs based on reach and frequency are highly ineffective. As a direct marketing vehicle with clickthroughs averaging 0.02% they don’t work. And with banner-blindness being what it is, as a brand vehicle most efforts are largely ignored.

The reality is that consumers have changed faster than marketers. And they expect communication that delivers tangible value. Traditional campaigns that trumpet brand messages or focus solely on unique selling propositions are no longer considered the principle measure of value to consumers. To be blunt, what worked in the 50’s simply doesn’t work anymore. Today’s consumer demands more.

Value used to be derived from a consumer’s perception of what a product could do for them. This interpretation of value has evolved. And these days value is better characterized as, “what can a brand help me do?”

When we switch our strategic approach to deliver tangible consumer value – we are obligated not only to evolve the ways we engage with consumers, but also, to re-examine the approach (and processes) we use to create, monitor, deploy and continuously tune our marketing programs.

The Old Way

The “traditional online” marketing approach is linear and built on the idea of telling consumers about products and services through increased reach and frequency.

Forrester’s recent analysis of Adaptive Marketing issued the challenge that marketers and agencies need to change and move away from the old way of doing things. According to Forrester, agencies struggle to adapt because their models are still built for yesterday, in that they:

• Focus on campaigns rather than experiences
• Talk but aren’t very good at listening (or more importantly, conversing)
• Are built for waterfall versus iteration
• Treat customers as audience rather than participants
• Are mostly “unbundled” — creating disparate skill sets
• Have trouble mastering many new specialties at once
• Moved down the value chain and rarely distinguish themselves from each other
• Can only move as fast as their clients

At Teehan+Lax, our Programs Group is purpose-built to be the exact opposite. Our agile creative approach, small, team-based structure, and value-based compensation model (we’ll talk more about this in another post) allows us to create highly effective Adaptive Marketing programs.

The New Way

Instead of looking at projects as a series of requirements that extend the reach and frequency of a message we need to look at the problem differently. We need to first determine how to help consumers solve a problem. When we look at a marketing challenge this way, it allows us to identify a completely different set of success metrics and solutions.

If your marketing isn’t helping consumers, then you’re shouting messages from the sidelines.

In the past we were incentivized to create ads and microsites that would launch onto the Internet, exist for a while and then disappear. In the future, we will create programs and “things” that solve consumer problems. They won’t be ads, but instead, they will be solutions that need to be marketed. It’s a completely different approach. And a whole new ballgame.

The new way is about creating programs that continuously evolve as they go. They are build on the principle of listening to consumers, identifying what they need, and creating communication that helps them. There are several projects that we see as benchmarks for this way of thinking, notably, Domino’s Pizza Tracker, Pepsi Refresh, and Nike+ Chalkbot. We’d be well advised to learn from them.

In the future, programs must be iterative, highly adaptive, and responsive to consumer needs, market conditions, and technological opportunities.

The things we create will be as unique as the problems we need to solve… and our approach demands that we look beyond paid advertising as the first solution. Ultimately, what we will create are not campaigns (in the traditional sense of the word) but will be continuums of activity and initiatives – some small, some large, each of varying shapes and sizes – that each satisfy the real needs of consumers while delivering against a marketers connection objectives.

We believe that Adaptive Marketing is the right approach, one that will be the way of the future. We are extremely excited to move in this direction. And we’re looking for clients who share this philosophy.

Reading List

Forrester (registration required)

• Customer Experience Skills Are Critical To The Success Of Agency Relationships
• Adapting Agency Relationships In A New Marketing Era

BBH Labs

• So what exactly might ‘Adaptive Brand Marketing’ be?

Mullen

• Forrester debuts its findings on “The Future of Advertising Agencies”

Other

• Adaptive Marketing. How not to go the Dodo way
• Why is digital advertising so lousy? Industry is too smug to innovate.

It’s really nothing that new. Companies like FedEx have been connecting physical things to the web for years. Most of the examples are similar though – they involve scanning codes and updating systems to keep customers up-to-date. Another notable one is Domino’s pizza tracker. A system that lets the pizza makers scan barcodes at certain parts of the pizza making process to update their customers on the Web.

Recently we’re seeing an increase in activity here that goes beyond scanning codes, and it has me giddy with excitement to see where it goes. Poke’s Baker Tweet is a prime example of the physical Internet. Put simply, it’s a physical box located in the bakery that sends messages wirelessly to Twitter to let followers know what’s fresh. The guys who built it actually started a company called Breakfast who, from what I’m told, is all about creating experiences like this.

Another good example of this is Nike’s Chalkbot. A machine that took tweets and messages from real people and plotted them in chalk along a portion of the Tour de France.

I think we’re going to see some really innovative stuff this year, most of which will be connecting virtual stuff with real stuff. Last week, Andy Sandoz over at Work Club posted an interesting article that touched (sorry) on what it may be like if Facebook had a physical ‘Like’ button. I’d love to hear of more examples or thoughts on this.

I’d have loved for this post to be the introduction of our latest iPhone application. An application that introduces a new default optional home screen. A screen that doesn’t require you to scan for red dots with numbers inside of them. Instead it would display information and notifications of things that are new and relevant to you. We’ll all have to keep dreaming for the time being. Unless you’re willing to jailbreak your phone it simply isn’t possible to develop and implement this type of hostile UI takeover using the iPhone SDK.

Until then (we’re doubtful that sort of freedom will ever be available) Here’s how we might design a new home screen.

You can see from the screens it’s essentially just a scrollable list of applications and notifications. We envision it behaving in much the same way that the list view does in the Calendar application. By default it may track things like missed calls, unread emails and calendar events. But what if users could allow other apps to feed into this screen as well? If I’m a Facebook junkie I’d be able to tell the Facebook app to include certain feeds on my home screen. If I was a frequent traveler I may include the Tripit app to show me my upcoming trips. The options would only be limited by what apps you have installed.

Update: The demand for this has been too great to ignore. We’re building a working version of this. More details and screens to follow. You can follow us at twitter.com/teehanlax

A scrollable screen of the stuff that matters to me.

Application preferences would allow users to include certain feeds on their home screens.

Jon had mentioned (as did Drew in the comments) he’d like this info without having to unlock the phone. I agree. If only development were this easy.

3beat

Lately, one of the hot topics around our shop has been how to cut the cable. At least 5 of us have canceled our cable contracts, added OTA HD, or both. For me, it’s been an interesting project and I thought I’d share the experience.

I’m reminded of a conversation I had a while ago when I was explaining my plan to get off the TV grid. Someone said to me, “it makes sense that you’d do that, you interactive guys think TV is dead.” But I don’t. I love TV and I think it’s far from dying. According to the recent Neilson 3 Screen report (pdf), TV is thriving.

<blockquote>”Viewing of video on television, Internet and mobile devices continues to increase and has hit record levels.”</blockquote>

What is changing is how consumers access and consume TV shows and movies. To me, that’s the real issue because it illustrates how networks need to adapt in order to meet our changing consumption habits. If they ignore the new reality they risk a similar future as the music industry and will become irrelevant. Networks must reinvent themselves mostly because that’s exactly what consumers are doing.

After years of dishing out big bucks to Bell ExpressVu I finally got my act together and canceled my $100/month satellite service. I’m no longer tied to a traditional source for my entertainment needs. My path to freedom took three simple steps.

First, I re-configured my existing home network to automatically collect and organize content. The main computer in my home is a G5 tower and it handles the bulk of all the data coming in and out of my home. It’s not an actual server, but that’s basically what it does. This box moves content around, modifies it, and then parks everything on a 2TB network accessible storage device. I also upgraded my Rogers Internet connection to the 10MB Extreme package. I’m reasonably happy with it now that my system is optimized to deal with throttling. For the most part, bandwidth caps are no longer a concern. To monitor the content I want and access it the moment it becomes available, I use TVshows and Ted. And apart from my newsgroup client (Thanks Chris Erwin), I use Transmission for the heavy lifting.

Next I had to get the content from my network onto my screen(s). I opted to integrate a 40GB AppleTV into my home theatre as my media server. Some people have asked why I didn’t use a Mac Mini, and the simple answer is cost. The secondary purpose of this project was to reduce the amount I pay for home entertainment and the AppleTV integrated perfectly into my existing home network for around $150. Plus, I’m storing all data on an NAS device so I didn’t need the larger capacity version, and I really didn’t want another box to maintain.

I patched my AppleTV to run both Boxee and XBMC. The process was remarkably simple and easy to do – with all the code, how-tos, and decent video walkthroughs at my fingertips. From start to finish I was up and running in about 20-mins.

I’m a huge Boxee fan, but I actually find I use XBMC more often. I use Boxee to watch Internet channels like the Revision3, Make and TWiT – thanks to the simplicity of the repository and apps service. But I rarely use Boxee for movies and TV shows. Instead, I rely on XBMC with the MediaStream skin which pretty much makes it an AppleTV version of Plex. (UPDATE: Andreas correctly points out that XBMC for AppleTV is “not ‘like Plex’, it is Plex that is like XBMC”. Sorry for the confusion). It’s easy to configure. Simple to use. And looks absolutely stunning on a 50″ screen (thank you teamrazorfish). I also love how it indexes any new content it finds on my networked drive, scrapes IMDb and IMDbTV for names, titles and plot summaries, and then downloads things like artwork and cast details in the background.

The last part of the puzzle I wanted to solve was how to get local TV station programming for things like news and sports. Thankfully, most stations now broadcast over-the-air ATSC signals (which is uncompressed HD) and all you need is the equipment to grab them. I removed my satellite dish and mounted two Channel Master 4220 antennas. I aimed one at the CN Tower and the other at Buffalo, NY. Now I have access to around 15 crystal clear HD channels.

My 50″ Panasonic plasma is a commercial unit and doesn’t have a built-in tuner so I needed to find an ATSC decoder box to convert the OTA HD signal. After pouring through various forums I considered the HD HomeRun. But decided that the Samsung DTB-H260F was the one for me. Unfortunately it’s not available in Canada. Fortunately I found one on eBay (incidentally, the only thing I use eBay for these days is to buy/sell second hand geek toys). I think this unit was taken off the market because of a beef with the MPAA because it allows straight pass-through of the HD signal to any recording device. Newer ATSC decoders – especially ones with built-in recorders – down rez the HD signal to SC for storage, the uprez for viewing, resulting in a degraded HD signal and something I wanted to avoid. With my setup I grab uncompressed HD signals over-the-air, my Samsung box takes the signal data to create the channel guide and passes the unaltered 720p/1080i signal through to my home theater receiver which then uprezes it to 1080p and passes it to my plasma. And voila, free HDTV programming.

So, why did I do it? Mostly because I could. I’ve always hated being tied to someone else’s schedule, especially one that defines when and how I can consume media. I tried time-shifting with Bell ExpressVu and even that left me annoyed. With my new home system I can watch whatever, whenever and however I want. I can watch it on the TV in my living room. I can watch it on the computer in my den. And I can watch it on my iPhone in the backyard. I’m the one that decides. And that’s what networks can’t wrap their heads around. They insist on creating systems that define the habits of viewers instead of delivering an experience that their customers want. If they don’t switch gears they are doomed. TV will live. Networks will die.

And this brings me to one last point… Hulu. Guys, open up access. Track viewer habits. Analyze the metrics. Then sell it back to your advertisers. People might not love commercials, but they definitely watch them. Mostly because they’re too lazy to do anything about them.

I’m pretty sure that what consumers hate most is paying bundled rates for channels they don’t want, restrictive scheduling practices, and not being in control. Listen to your consumers. Learn about what they’re doing and change the way you do business. Set up your network distribution properly and no one will ever need a Tivo or PVR again. This is a new era of media consumption where the viewer controls their access. Figure it out and we all win.

Got a minute? Take our Free TV survey.

Resources:
Make an AppleTV Patchstick
How To Install AppleTV Patchstick
Boxee Setup on AppleTV
XBMC Setup on AppleTV

Software:
Transmission
TVshows
Ted
TVNZB

Over The Air HD Info & Equipment:
Free TV in Toronto
Digital Home Forum
Save And Replay Equipment Sales
Sensuz Equipment Sales

(UPDATE) OTA Station Listings:
US – FCC database search
US – Transition Plans by City
Canada – Available OTA stations

p>. Follow *3beat* on Twitter.

Ok, so it’s generally our policy not to blog about something that’s already gotten exposure on sites like Digg (let alone made it to the top ten), but for this one I’ll make a quick exception. Google just “added”:http://gmailblog.blogspot.com/2009/03/new-in-labs-undo-send.html an undo send button to its labs suite (or as TechCrunch “calls it”:http://www.techcrunch.com/2009/03/19/gmail-gets-a-panic-button/ , a panic button).

This is the kind of “feature” enhancement I love. It’s a natural, yet subtle extension of how I use mail every day, it’s lightweight and unobtrusive, and it’s grounded in an aspect of human experience with email that’s so familiar and fundamental but ignored until now. The word I’d choose to describe this kind of feature is “humane”.

How many times have you sent out an email, just then noticing that you forgot to attach the file you were writing about in the first place? How many times have you forgot to copy someone, or realized you were addressing the wrong Steve, etc., etc. directly after hitting ‘Send’? For me it’s too many times to be a coincidence.

Often when we write emails—especially critical ones where pressure is involved—we get into a very focused, depth-first mode of reasoning. This makes it hard to see mistakes that would otherwise be obvious. My hypothesis is that as soon as we hit send, there’s this cathartic moment where pressure is relieved and we are suddenly able to reason more broadly, or in a breadth-first way. It’s only then that we notice the embarrassing mistakes we are now going to have to write a follow-up email to address. (There’s “evidence”:http://www.jnd.org/dn.mss/emotion_design.html to suggest this is the case, by the way, and I think it’d make for a great applied research topic.)

I’ve been waiting for a panic button in my mail app for a while now. Apple’s Mail got something like this (there’s a little cancel button next to the outgoing message progress bar in the Mail Activity), but I think it’s more for server-side issues and other technical stuff. I never have time to cancel my outgoing messages—there should be a 5-10 sec buffer between the time I hit send, and the time the message goes out, as in the new Gmail feature.

TripIt, a travel service that creates a single, readable online itinerary from your flight, hotel or rental confirmation is the first site I noticed doing this. To register, a user simply forwards a hotel, flight or rental confirmation email to plans@tripit.com. The site automatically registers you and replies with a confirmation and link to your new itinerary. Brilliant. (Note: TripIt also provides the classic registration form as well).

What’s important about this is that they’re reducing a psychological barrier to entry. Most people using Flickr, Facebook, LinkedIn, Gmail, etc. feel signing up for yet another online service is an annoyance. After a while, another registration form can feel like a burden. Email-based registration avoids this barrier by rolling registration and the way you interact with the service into one action. For example, the same way you use TripIt is the same way you sign up, by forwarding emails to plans@tripit.com.

Of course, form-less registration doesn’t fit for every solution. While flushing out the IA for ImageSpark, our home-brewed creative inspiration tool, we decided upon the classic email/password registration. The reason being that the core interaction with the site isn’t done through email but rather integrated browser and desktop upload tools; For ImageSpark, there was no gain in baking in an email-based registration. (Although we hope this won’t stop people from using it.)

A service like Posterous however, which uses email to create and update a blog, is built on avoiding forms at all costs. It makes sense than that your first email registers you and initiates your first blog post, all in one.

I’m pretty sure we’ll see form-less registration grow into a design pattern as new services emerge. And I’m looking forward to using it, so long as the situation is right.

Following the inauguration, whitehouse.gov has been updated to reflect the Obama administration’s promise to use interactive media to make government more open and accessible.

I’m assuming the Presidential Pets section will get a good amount of traffic too.